孤女立夏(🤔)深(🥛)山(🥖)(shā(🍚)n )武(⏺)校(🈲)艺(📆)成(🏧)下(🔼)山报(bào )恩。其恩人尉迟(chí )东举(jǔ )办的马术比(bǐ )赛遭(zāo )遇赌博集团(tuán )操控(kòng )。尉迟委托(tuō )星宇(yǔ )安保公司保护众(zhòng )骑手，并安排立(lì )夏加入该公司实(shí )习。几经波折后(hòu )，立夏在安保公(gōng )司站住(🐻)了(🚹)脚(🆑)并(🗡)解(🌛)(jiě(🖱) )决(🏏)了(💕)(le )安(🤛)全(🈴)危(🐕)机(💖)。
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
米(🥍)希(🍆)(xī(🈷) )尔(✡)与兄弟弗(fú )兰克(kè )经营着一家(jiā )小型(xíng )建筑公司(✡)。当(📩)米(💿)(mǐ(💣) )歇(⏹)尔(🙋)遇(😦)见(🎰)蜜(🏧)雪儿(ér )的时候就对他一(yī )见钟情了。美雪(xuě )儿是一位房产经(jīng )纪人(rén )并且手里攥(zuàn )着一(yī )项大项目。为了(le )吸引蜜雪儿(ér )的注(zhù )意力，米歇尔先(xiān )要解决和弗兰克(kè )的关系，因为弗(fú )兰克的计(😬)划(🌀)开(🏒)始(💝)(shǐ(🏦) )威(🤪)胁(📠)他(🥫)浪(🆖)漫(👴)的(🤖)设(🎃)(shè(⛲) )计(🛋)。
重(💃)口(📀)味血腥(xīng )恐怖(bù )片。一场入(rù )室绑(bǎng )架迫使两位(wèi )少(🍪)年(🔇)(niá(👰)n )闯(🦉)入(🐫)一(💆)个(😝)偏(🚇)(piā(🐈)n )远的(de )乡村宅邸，偷窃(qiè )顶级机密文件。他们不知道的是(shì )，那所富丽堂皇(huáng )的旧宅邸也是一(yī )群位(wèi )高权重的中(zhōng )年人(rén )的集合地，那些(xiē )中年人穿着(zhe )尿布(bù )，故意放纵地陷(xiàn )入护士主题的(😊)性(🐺)(xì(🦊)ng )奇(🔀)想(😛)，以(🕯)便(🛳)躲(📑)避(✒)(bì(😲) )生(🥄)活(🏻)压(🚓)力(⛔)。或(🥅)者(💪)(zhě )这场奇怪的集会(huì )意欲通过阴险的(de )病态(tài )的畸形(💀)的(😻)的(👑)(de )方(🏴)式(🍮)(shì(🔴) )为(🔵)全(🔨)球(🧞)经济(jì )补充(chōng )能量…
人據(jù )說一(yī )生最多有十萬條(tiáo )頭髮，每一條頭(tóu )髮質感長度有異(yì )，但都承載著煩(fán )惱的回憶。「時(shí )光理(lǐ )髮」剪掉的(de )不只(zhī )是頭髮，還(hái )有街(jiē )坊不快的記(jì )憶(😕)。行(👱)將(🥓)式(🥝)微(💕)的(😘)舊(🌖)式(😂)(shì(⛺) )廣(📥)東(💔)理(🌙)髮(🙍)店(🖋)店(Ⓜ)主(🖤)(zhǔ )海泉叔指望兒子(zǐ )長發繼承衣缽，不過兒子卻更想(😎)(xiǎ(🆓)ng )當(🕰)文(📊)青(🐻)，希(📆)望(✍)透(🕌)(tò(🌡)u )過文(wén )字和音樂改(gǎi )變世(shì )界。一次意(yì )外，長發被迫代(dài )父親(qīn )落場當師傅，透(tòu )過理髮為街坊排(pái )憂解難，更與離(lí )家出走少女相遇(yù )相知，重新反思(sī )自己(jǐ )的前路。傳(chuán )統理(lǐ )髮店交織(🍢)舊(🔴)(jiù(🔄) )區(🛬)鄰(💧)(lí(🅱)n )里(🥇)人(🐇)情(⚪)，《點(🗺)五(🗑)(wǔ(🚘) )步(⌛)》男(🙏)角(🏬)岑珈其(qí )化身理髮店傳人，演出清新自然(rán )。
A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
