王小丁（贾景(jǐng )晖 饰）是(🕙)替(🈲)某(mǒu )网(✡)站工作(🚼)的摄(shè )影记者。生活(huó )里，王(🔢)小(💻)丁总是(🎒)一副吊(💜)儿(🧛)郎当(dāng )的样子，没有(yǒu )任何(📛)一件事(🤶)情(qíng )能够(🎼)让他上心(xīn )，无论是对待(dà(⛳)i )工作还(✡)是人际(jì(🍲) )关系，王小丁都是(🖊)无所谓的(👪)态(tài )度(☝)，整天浑浑(hún )噩噩的混日子(🥜)(zǐ )。王小丁(⏪)的现(xià(🚷)n )状连神仙都看(kàn )不下去了(🕖)，于(😪)(yú )是派(🐠)出了缞(🙂)神（赵骏 饰）来到(dào )他的(🕍)身(🖤)边，希(xī(🚎) )望能够(💏)帮助他(tā )重新找回生命(mì(🆔)ng )的(💆)意义。可(🥌)是(shì )很(🗓)快(🚽)缞神便发现，王小丁的无(wú(🏅) )赖远远(😘)超过了(le )他(📊)的预期，他(tā )竟然对他毫无(😓)(wú )办法(🍅)。
人據說(shuō(😧) )一生最多有十(shí(🖌) )萬條頭髮(🔉)，每一條(📁)頭髮質感長(zhǎng )度有異，但都(🎶)(dōu )承載著(🛂)煩惱的(📞)(de )回憶。「時光(guāng )理髮」剪掉(🛑)的(🦁)(de )不只是(🎫)頭髮，還(🌘)有街坊不快的(de )記憶。行將式(❗)(shì(🚢) )微的舊(🍈)式廣東(🔜)(dōng )理髮店店主海(hǎi )泉叔指(🉑)望(🍇)兒子(zǐ(🌛) )長發繼(😂)承(🐀)衣缽(bō )，不過兒子卻更想當(🌩)文青，希(🖥)(xī )望透過(🔇)文字和(hé )音樂改變世界(jiè(🏖) )。一次意(🔻)外，長發被(🐦)迫代父(fù )親落場(🍴)當師傅(fù(🍧) )，透過理(🤵)髮為街坊排憂解難，更與離(🥠)家出走(zǒ(🍚)u )少女相(🌜)遇相知(zhī )，重新反思自(zì )己(🔰)的(♌)前路。傳(🏟)(chuán )統理(☝)髮店交織舊區鄰里人情，《點(😉)五(🍷)步》男(ná(🈁)n )角岑珈(✈)其化身(shēn )理髮店傳人，演出(🔍)清(💣)新自然(⌚)(rán )。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
由于(😚)Sara处(🐌)在不(bú )可思议的行为的风(🕡)口浪尖(📻)，一(yī )个无(🎂)法预料和(hé )尴尬的遭遇使(💤)(shǐ )她有(😱)机会目睹(🐕)(dǔ )她的破坏行为(💁)(wéi )的潜在(⬇)后果。 但(🈲)这是第二次机会还是承认(🎆)有(yǒu )罪？(🧒)
都知道(⏲)尹(yǐn )奉吉义士却对(duì )与他(🐭)同(🥏)行的李(🎞)(lǐ )华林(🙌)知之甚少(shǎo )，都知道有个临(🛏)时(🤔)政府却(🔥)对其(qí(✂) )管(🍰)理内务的郑(zhèng )靖和并不(🈵)熟(🏎)悉(xī )，虽(🏭)然这些人(🥛)(rén )有点陌生，她(tā )们却是实(👇)际存(cú(🚹)n )在的女性(💙)独立运动人士，她们(men )对独立(🔼)的贡献(🏚)(xiàn )不算突出，因(yīn )为路线不(🎒)同，所以她(🍬)们一直(⌚)(zhí )被我们遗忘着(zhe )，本影片记(🗿)述了她们(🏆)的故事(🖤)。@
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
