《四个(gè )春天》是一部(bù )以真实(shí )家庭生(shēng )活为背(bèi )景的纪(jì )录片。15岁离家，在异乡漂泊多年的导演以自(zì )己南方(🥉)(fā(🍡)ng )小城里(lǐ )的父母(mǔ )为主角(jiǎo )，在四年光阴里，以一己(jǐ )之力(👾)记(😾)(jì(🎠) )录(🕠)了(🌂)他(🧡)(tā(📂) )们(🥇)的(🕸)美(🚅)(mě(🏎)i )丽(🏀)日(⏩)常(🗓)(cháng )。在如(rú )诗的乐(lè )活慢生(shēng )活图景中，影像缓缓雕刻出一(🥀)个(🎍)幸(🖇)福(🤘)(fú(🛸) )家(💷)庭(🕖)近(😈)(jì(🔪)n )二十年(nián )的温柔(róu )变迁，以及他们如何以自己的方式面对(duì )流转的(de )时间、人生的(de )得失起(qǐ )落。
Three burglars will soon realise they are not alone in a manor house when they discover a doll mysteriously appearing.
英(yīng )国知名(míng )舞台剧《鬼故事》将被(🥣)搬(🎋)上大银幕，新片主(zhǔ )演马丁(dīng )·弗瑞(ruì )曼、乔(qiáo )治·麦(mà(👪)i )凯(🐇)、(🗣)安(🌤)迪(📺)·(🉐)尼(🌛)曼(♿)等(❓)。尼(🔮)曼(💪)(mà(❣)n )继(👦)续(🍾)出(chū )演他在(zài )剧中的(de )角色古(gǔ )德曼教(jiāo )授。古(gǔ )德曼是(shì(🐸) )一(🏬)位(🔽)心(📼)理(🐃)治(⏬)疗(📤)师(🐅)，从(💻)不相信鬼怪之说(shuō )；然而(ér )三个病(bìng )人的“见鬼实(shí )录”让他对原有信念产生了怀疑(yí )。作为(wéi )最受欢(huān )迎的惊(jīng )悚戏剧(jù )之一(🚍)，该(✡)剧曾(céng )在全球多地进行巡演。
星宇公司遭遇盗宝集(jí )团突(👉)袭(💀)(xí(🦅) )，立(🏗)夏(🖼)(xià(👣) )受(🚝)伤(♏)，丢(🏧)失(♑)了(🏎)(le )云(🧖)南(🛢)赤(💭)家兄弟的瓷瓶。林(lín )欢馨联(lián )合考古(gǔ )学家高(gāo )震云设(shè(😘) )下(📴)计(🔡)谋(🤡)(mó(🤦)u )寻(❣)回(🧔)了(🔭)(le )瓷(🌐)瓶(🛐)。不料盗宝集团跟踪至云南该瓷瓶出土(tǔ )处，将(jiāng )众人擒(qín )拿欲挖(wā )掘古墓(mù )。林克服恐高症独自逃出，并联(lián )合赤家(jiā )寨村。
由(🈷)于(🏊)Sara处(chù )在不可(kě )思议的(de )行为的(de )风口浪尖，一个无法预料和尴尬(🔪)的(🧜)遭(🚥)遇(📉)使(🐷)她(🍇)(tā(💵) )有(🚌)机(💢)会(⌚)(huì(📱) )目(🎂)睹(🚹)她(tā )的破坏(huài )行为的(de )潜在后果。 但这是第二次(cì )机会还(hái )是(🍸)承(😢)认(🈸)(rè(🐛)n )有(🧙)罪(😒)？(🕕)
本(✊)片(🚡)通(tōng )过替人(rén )要账的(de )女孩卓(zhuó )一和在夜场唱歌的歌手静雅为双主角(jiǎo )。卓一(yī )老大装(zhuāng )有非法(fǎ )数据的(de )项链给了静雅，而静(🈷)雅(🙍)迫于面子(zǐ )接受后(hòu )，又转(zhuǎn )手邮寄(jì )给了原(yuán )来大山(shān )的(🏻)朋(🌈)友(😘)(yǒ(🧟)u )。卓(🍦)一(🎯)为(🛵)了(🥅)替(🗞)老(💔)大(📹)取(😱)回(🆖)项链，带着静雅一起(qǐ )去偏远(yuǎn )的山区(qū )，卓一(yī )的冤对(duì )头(🤑)挑(🍪)拨(👿)卓(⛷)一(🐙)和(🎈)老(🚈)大(🦌)的(💪)关系，一路(lù )被追杀(shā )。两人(rén )性格各(gè )异，一(yī )路言语(yǔ )不多，却彼此心事满满，一些列事件后，两人彼此(cǐ )有的新(xīn )的认知(zhī )和(🍅)好(⛄)感(gǎn )。两人(rén )也对迷茫的未来有了一个(gè )反省。卓一为(wéi )了保(📎)护(📻)(hù(👉) )静(🐂)雅(🚦)，被(🚹)老(🌩)大(😖)(dà(♑) )杀(😜)掉(🌭)，而(🕷)老(⤵)大也被静雅的朋友射伤。坏人最终被绳(shéng )子依法(fǎ )。静雅(yǎ )也(🛏)带(🗻)着(💜)(zhe )父(🎴)亲(👖)离(🦅)(lí(🎲) )开(🕗)，去(🔸)追寻理想的生活。
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
