国家企业信息公示网官方7

青(qīng )年季(jì )诺(nuò )在办(bàn )完母亲的丧礼后，动身寻找当(dāng )年抛(pāo )弃(qì )妻子(zǐ )的渣父，却只找(✂)到疑似小(⚡)三的肚皮舞(wǔ )娘萝(luó )拉(lā )。殊(shū )不知这位美丽的小三，二十五年前就(jiù )是季(jì )诺(nuò )要找(zhǎ(🏞)o )的「他」(👭)。萝拉当年的绝情缺席，让(ràng )季诺(nuò )难(nán )以释(shì )怀。面对毫不知情的儿子，萝拉尽管(guǎn )心慌(huā(😪)ng )，也尽(jìn )其(👑)可能用现在的模样爱他。几次互(hù )动(dòng )下来(lái )，季诺的心逐渐柔软起来。重塑自己(jǐ )且活(huó(🈷) )得(dé )精彩(🐥)(cǎi )的萝拉，究竟会不会和季诺出柜，坦(tǎn )承自(zì )己(jǐ )的人(rén )生故事？

十多岁的米特拉是一(🙇)位雄心(xī(🐴)n )勃勃(bó )的(de )艺术(shù )家，她正在完成自己的梦想作品，也(yě )就是(shì )拍(pāi )摄一(yī )部关于埃及传奇(♟)歌手及女(😶)星乌姆·库(kù )勒苏(sū )姆(mǔ )的电(diàn )影。然而，为了更真实地刻画(huà )乌姆(mǔ )作(zuò )为一(yī )个(gè )神(🥚)话、一个(😺)女人和一位艺术家的本(běn )质，米(mǐ )特拉(lā )把家庭放在了事业之后，她自己的人(rén )生斗(dòu )争(🥃)(zhēng )与乌(wū(㊗) )姆的融合在一起，使她在情感和艺术(shù )上面(miàn )临(lín )崩溃(kuì )。

From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs

人據說一生最多有十萬條頭髮(🚗)，每(měi )一條(🌐)(tiáo )頭(tóu )髮質(zhì )感長度有異，但都承載著煩惱的回憶(yì )。「時(shí )光理(lǐ )髮」剪掉的不只是頭(🕗)髮，還有(yǒ(🏋)u )街坊(fāng )不(bú )快的(de )記(jì )憶。行將式微的舊式廣東理髮店店(diàn )主海(hǎi )泉(quán )叔指(zhǐ )望兒子長發(🚫)繼承衣缽(🏉)，不過兒子卻更(gèng )想當(dāng )文(wén )青，希望透過文字和音樂改變世界。一次(cì )意外(wài )，長發(fā )被迫(🚥)代父親落(💻)場當師傅，透過理髮為(wéi )街坊(fāng )排(pái )憂解(jiě )難，更與離家出走少女相遇相知，重(chóng )新反(fǎn )思(🍉)(sī )自己(jǐ(🎏) )的前路。傳統理髮店交織舊區(qū )鄰里(lǐ )人(rén )情，《點五步》男角岑珈其化身理髮店傳(chuán )人，演(yǎ(🕌)n )出清(qīng )新(🔖)自然。

经过一系列莫名其妙的事件(jiàn )之后(hòu )，艾德(dé )琳·格雷（Adeline Gray）认为一个闹鬼的娃娃拥(🐟)(yōng )有复(fù(🍤) )仇(chóu )女巫(wū )的灵魂。为了有希望与失踪的女儿团(tuán )聚，她(tā )知道(dào )她必须击败魔女娃娃的(🎊)邪恶诅咒(🔨)。

An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?