In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
《诡宅魅(mèi )影》讲述的是民国时(🥝)期被(bè(♌)i )父母寄(🎞)(jì )居在(🏤)吴(wú )宅(🗃)的小莲(😿)（瑶(yáo )瑶）因长期遭受吴(wú )老爷虐(nuè )待迫害(hài )，导致人格分(♐)(fèn )裂，陷(🤴)入四重(🕐)人格(gé(😌) )。由于(yú(😐) )吴老爷(🏕)(yé )与土匪(fěi )勾结，小莲即将被灭口之际，幸(xìng )得吴宅(zhái )老管家(🥞)(jiā )（李(⛷)子(zǐ )雄(🗽)饰演）(🧓)搭救才(🎐)幸免于(⛅)难(nán )。而此(cǐ )时的小(xiǎo )莲已经(jīng )得了失心疯，得知妹妹悲(bēi )惨遭遇(yù(🎄) )后，远(yuǎ(🔂)n )在国外(📨)(wài )学习(⛓)心理学(🚙)的哥哥(❎)决定回(huí )国，帮(bāng )助小莲(lián )进行心理治疗(liáo )。他对小莲进行了(🌹)(le )催眠，将(⏺)小莲(liá(💃)n )再度带(👽)回吴家(📠)(jiā )大院(🏅)，并实地还原(yuán )囚禁场(chǎng )景，小(xiǎo )莲在哥(gē )哥和吴(wú )家老管家(👶)的帮助(🏣)下，战胜(🌑)(shèng )了失(🔎)心(xīn )疯(🌺)，找(zhǎo )回(☝)自我(wǒ )，恢复了健康。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
1891年，后印(yìn )象派大(dà )师保罗(luó )·高更(gèng )在巴黎的(♿)艺术圈(🎒)已小有(🕵)名(míng )气(🍨)，但(dàn )为(🔝)文明(mí(😳)ng )社会的(de )虚伪与矫情感到厌烦。对(duì )于原始(shǐ )世界的(de )渴望驱使(✴)他离(lí(⛏) )开家中(💴)妻小，来(🍪)到(dào )南(🈸)太平(pí(🎆)ng )洋的大(dà )溪地；准备好(hǎo )为追寻已久的自然(rán )、野性(xìng )、(🚱)纯粹(cuì(🔞) )的生活(🎹)(huó )与创(💀)作(zuò )环(✏)境牺牲(♿)一切。忍受着经(jīng )济上的(de )贫困和(hé )精神上(shàng )的孤寂，高更走进丛林深(🌫)(shēn )处，认(📣)(rèn )识了(🦑)当(dāng )地(💹)的毛(má(👓)o )利人，邂(🐹)逅了原住民女孩(hái )德胡拉(lā )；一段(duàn )三角关(guān )係也若隐若(🎛)现地缓(🦗)缓浮出(🤷)(chū )。这座(📢)(zuò )远方(🖍)岛(dǎo )屿(🔫)彷佛是他灵(líng )魂的故土，此处充(chōng )满生命(mìng )力的人(rén )物面貌与地景(🚭)(jǐng )线条(♎)都成为(🌈)他的缪(🏣)思，激(jī(💩) )发他创(chuàng )作出艺(yì )术生涯(yá )中最具标志性的大师之作(zuò )。
It tells the story of Kim who lives with her overprotective parents and meets Jayson online. She then ends up moving to Seoul and starts a new life.
Two very different young men struggle to keep their grisly crimes a secret in a small town.
中年(nián )建(🙀)築師(shī(💉) )遇上人(🥃)(rén )生瓶(🥚)頸，在家(🎁)被老婆(🍳)嫌棄(qì )，公司(sī )小開兔(tù )死狗烹(pēng )。失業的他在曼谷街頭驀(mò(🖼) )然回首(🕓)(shǒu )，瞥見(🔨)(jiàn )大象(🎙)Pop Aye，憶起歡(🈂)快的童(🥝)年時光，毅(yì )然買下(xià )大象，卻發現都市生(shēng )活容不下他倆，打(dǎ )算和(🈺)老(lǎo )象(🤑)一路(lù(🐟) )向北返(🤖)鄉。這(zhè(🛄) )趟人與象的公路之旅，途(tú )中狀況(kuàng )不斷，所幸萬(wàn )能的象鼻領著他(🍤)倆，與沿(📽)(yán )路風(🔢)景(jǐng )相(🔪)伴。《爸媽(🚴)(mā )不在(📄)家》導演陳哲藝監製(zhì )，阿比(bǐ )查邦御(yù )用剪接(jiē )操刀，看擅長(🕟)冷幽默(🦁)的才(cá(🔶)i )女導演(⛔)(yǎn )陳敬(🎖)音(yīn )，用(👸)象(xiàng )鼻對抗中年危機！將泰國(guó )鄉下的(de )荒涼風(fēng )景，轉變成一(yī )首洋(🏨)溢著淡(📎)淡霓虹(🚍)(hóng )光芒(🔸)的(de )自我(🕣)蛻(tuì )變之歌。
本片(piàn )讲述了三个失意的女人：不愿意(yì )被客户(hù )潜(🤭)规则(zé(😠) )而愤然(🌻)辞掉工(🏃)作的美(🗑)丽御(yù(🐬) )姐盛绮(qǐ )珊、一(yī )个月被(bèi )炒五次鱿鱼的职场小白夏(xià )思(👍)佳、因(👖)为使(shǐ(⚫) )用飞机(🚊)(jī )稿事(😥)件而身(📰)败名裂的广告(gào )界大神(shén )薛云，三人在(zài )酒吧偶然相遇，因盛绮珊(shā(😶)n )出手解(😩)(jiě )围薛(🔫)云(yún )，而(🕷)坐在一(👂)起(qǐ )畅谈，并临时起意(yì )一起开(kāi )一家广(guǎng )告公司，就这(zhè )样走上了(🧙)创业之(🕌)路。然而(🏆)(ér )这一(👵)路(lù )并(🚥)没有(yǒ(🐈)u )想象中(zhōng )顺畅，第一个客户因为夏(xià )思佳的(de )懦弱自(zì )卑惹怒(➖)(nù )客户(🚑)被百般(🕙)刁难，难(🐖)得的(de )一(♿)次机(jī(📷) )会可以(yǐ )和薛云(yún )的老合作搭档欧凯丽的大(dà )公司合(hé )作，正(zhèng )在(🔜)签合同(🕣)的时候(💼)，没想到(💏)创意被(🤪)(bèi )盛绮珊(shān )男朋友(yǒu )周慕文泄露，直接导致合作失败(bài )，三人(rén )的公(😉)司(sī )名(🎬)誉扫地(🚮)，陷(xiàn )入(🗾)危机…(🌏)…
故事(💙)讲述了围(wéi )绕著朝(cháo )鲜时代(dài )，历史(shǐ )中没有记录的一夜中(🏯)，国(guó )王(💞)护卫(wè(🈶)i )「名剑(👱)(jiàn )手」(📕)金(jīn )浩(🧖)与谋反武士之间惊心动(dòng )魄的对(duì )决。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
